Showing posts with label Shia LeBeouf. Show all posts
Showing posts with label Shia LeBeouf. Show all posts

Tuesday, September 30, 2008

Eagle Eye


Shia LaBeouf is terrific as an aimless young man suddenly "activated" as part of giant conspiracy to "save the nation." He plays the role with a marvelous understated bewilderment, yet fully there for the character. This young man has a huge future ahead of him. And maybe another Indiana Jones with him? But what would they call it? Mutt Williams?

His brother, an air force intelligence officer, falls under a cloud of suspicion after dying in a horrible call accident. After coming home to his apartment, only to find it loaded with weapons, explosives and military intell, and then being warmed by phone to leave, because the FBI will be there in 45 seconds, he slowly becomes engaged, in the hopes of clearing his brother's name.

Michelle Monaghan
his "partner" in all of this, a young mother whose son, a grade school trumpet player, has been brought into the conspiracy unknowingly, is "activated" and does as she's told if she wants to see her son again.

These two finally meet n a dramatic car chase scene, brought together by cryptic phone messages and a seemingly endless manipulation of the electronic network surrounding all of us - from cell phones to surveillance cameras, traffic lights and subways (what isn't monitored and controlled by computers these days?)

It's all about a super computer "who" sees the current administration as a violator of the American Constitution (a contemporary message here?) in its pursuit of terrorists - quoting from the Declaration of Independence:

That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn that mankind are more disposed to suffer, while evils are sufferable than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security.

Think of Hal on steroids.

A rip roaring story, with plenty of action, the story moves along well, if not predictably.

A bit formulaic, but sustained well with fine acting, special effects and music, the film entertains well.

For ladies? Perhaps, because of Michelle Monaghan's sensitive portrayal of a single mom coping with way too much, and now her son's innocent entanglement from which he can be rescued only if she cooperates.

And LeBouf's "gentle" kind of guy role - he's got guts, moxie, but not the James Bond kind. Both gals and guys will like him.

Directed by D. J. Caruso.

Worth seeing? For sure.

Thursday, May 22, 2008

Indiana Jones

I loved it.

It was campy throughout … playing itself, if you will … with great music, photography, all the cliff-hanging (literally) suspense one has come to expect from Indiana Jones.

Paramount pulled off a difficult feat – playing to the older audience who loves Harrison Ford, playing him as it should be – an aging professor, still capable of heroic exploits, but a little older. As he’s looking at pictures on his desk of his father and a friend no longer with him, a fellow-faculty member says, “We’re at that point in time when life no longer gives us things, but takes them away.”

I wish I had said that.

But to play to a younger audience, Paramount teamed a young Mutt Williams (Shia LeBeouf) – you will find out who he really is – who’s a promise for another film. It’s a nice balance, and throw in Karen Allen who plays Marion Ravenwood, an old love interest, adding an interesting twist.

The bad guy, uh, girl (Cate Blanchett), is deliciously and mystically bad … the Russian soldiers are all wonderfully malevolent – a little political commentary on the crazy McCarthy era and the so-called “Red Scare” – then greed, double-crossing friends, combined with Area 51 aliens who visited South America 5 millennia ago – and, of course, the fedora and the bull whip - all the ingredients of a rip-roaring plot and delightfully entertaining film.

Great music, terrific special effects – a finely-tuned script well balanced between thoughtful commentary on aging and family and the comedic.

Great effort – thankfully, Paramount didn’t try to duplicate previous efforts, but building on the theme and feel, created a stand-alone feature.

By the way, in a large warehouse, following a car crash, you catch a brief glimpse of something hidden away a long time ago. Enough said? Enough said.

Go see it – you’ll love it!