Wednesday, August 26, 2009

Harry Potter and the Half-Blood Prince

Reviewed by Michelle Welker Scott

Throughout the past five episodes of the Harry Potter series, the young wizarding student has battled evil in the form of basilisks, abusive family members, giant spiders, corrupt authority figures, and – most importantly – He Who Shall Not Be Named.

But in each of these movies, Harry has been an innocent. He’s dispensed his share of violence, of course, and he’s been forced to make many tough decisions, but through it all, he’s maintained a sort of blamelessness. In Harry Potter and the Half-Blood Prince, however, Harry becomes less of a victim and more of an instigator. And like Adam and Eve, Harry learns that sometimes good and evil are so closely intertwined that it can be impossible for us mortals to know the difference. If the entire Harry Potter series embodies a coming of age story, The Half-Blood Prince is the pinnacle of Harry’s journey into adulthood.

Not everyone would call this movie a success.

The plot winds around more than the hallways at the Ministry of Magic; even the well-initiated can get lost. But in all fairness, Harry Potter and the Half-Blood Prince was a book with a story line so labyrinthine that it could hardly be encompassed by a movie. Even so, the film falls short. Despite the fact that this is one of the better directed pictures of the series (surpassed only by Harry Potter and the Prisoner of Azkaban and Harry Potter and the Order of the Phoenix), it is still less than a success.
Yet, the movie has its moments.

The humor here is wonderful, revolving around those episodes of teenage angst that plague, or have plagued, all of us. Love is in the air. There are giddy crushes and love triangles; secret admirers and jealousy. Hogwarts is one festering bed of hormones, yet there is nothing lurid or prurient about these encounters; the movie maintains a very sweet and innocent tone. Another bright spot is that director David Yates took great pains to let the teenagers act like, well, teenagers. In this movie, Hogwarts seems more like your local high school and less like the stuffy, too-good-to-be-true, British boarding school. It’s a more real Hogwarts. One that you or your offspring might actually attend.

The most wrenching scene comes when Harry must accompany the headmaster, Dumbledore, on his quest to find a horcrux (an object of dark magic). Before setting off on the journey, Harry swears that he will do whatever the headmaster asks of him, no matter how terrible, and when put to the test, Harry fulfills his obligation.

But his actions come at a great personal cost. In one of the finest bits of acting that the Harry Potter movies have to offer, Harry coaxes, bullies, and eventually forces his beloved teacher to drink every drop of a vile potion in order for the two of them to access the horcrux. It’s a gruesome scene. Perhaps too ghastly for younger viewers. But the book never shied way from depicting the terrible power of evil, and – to its credit – neither does the movie.

The ending will come as a surprise, or not, depending on how well you know the series. Unfortunately, like the rest of the movie, the final scene suffers from an overload of images. Instead of reacting to what is happening on the screen, the audience is scratching its head and asking, ‘huh?’

The Half-Blood Prince is a movie rife with controversy. Devotes of the books argue that the movie takes too many liberties and leaves out too many details. Movie viewers who are unfamiliar with J. K. Rowling’s original series find it confusing and clumsy. But, despite its faults, the book’s spirit still shines through.

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