Saturday, September 19, 2009
Whiteout
A strange film to review.
I liked the story, and it had me most of the time.
It's a simple whodunit with some good twists and turns, a lot of good acting, and special effects.
The story unfolds in Antarctica as a massive winter storm closes in, forcing the evacuation of the entire base. But two days prior to evacuation, a body is found on the ice in the middle of nowhere.
So out goes Federal Marshal Carrie Stetko (Kate Bekinsale) to investigate. The body's a mess, with a hastily sutured leg wound and an ice pick wound to the chest. What was the guy doing out here? And why?
Very quickly, things unravel, and off we go on a pretty good adventure with a lot of chilling (literally) special effects - the deep freeze of Antarctica as the storm closes in. All set to go home before the long dark night, Marshal Stetko stays behind to finish the job. With her, the good doctor John Fury, done well by Tom Skerritt. And one other guy, a slightly suspicious U.N. operative done menacingly by Gabriel Macht. And their pilot, Delfy, played rather well by Columbus Short.
I was bothered by one glaring directorial (Dominic Sena) decision - the two people with me also spotted it, and all of us agreed: it clearly distracted us and detracted from the overall impact of what otherwise is a pretty good detective story. The issue? No face masks in the bitter winter storms with temperatures 40 and 50 below with murderous winds. Yes, they had goggles and all the necessary protective clothing, but no face masks; the simple truth: exposed flesh, at those temperatures and with those brutal winds, would freeze in a minute or less.
As my son put it, the director choose to let us keep seeing the beautiful face of Kate Bekinsale, sans eyes, of course, and a beautiful face it is, and a good actor she be!
Both Marshal Stetko and the U.N. operative are in Antarctica for rehab, of sorts. While we never learn his story, we get to see Marshal Stetko's story in a series of flashbacks - does this device work? Sort of, and maybe just too much of it, but it does tell her story.
As the story unfolds, we begin to see just how good the marshal is - she's putting it all together, and then, just to confirm her analysis, the director actually let's us see that part of the story, so we are dealing here with multiple stories unfolding for the audience.
I can't say this is entirely satisfying, but the overall feel of the film was engaging and quite entertaining with enough twists and turns, spills and thrills, frozen bodies and an amputation scene, to keep my interest and have me gripping my seat now and then.
Worth seeing?
Sure, why not?
Labels:
Gabeiel Macht,
Kate Bekinsale,
Tom Skerritt
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