So much to hope for, so little to experience.
At least for me ...
The first three quarters of the film were just there, on the screen in front of me ... I was an unmoved observer of some fascinating special effects and a lot of lack-luster acting (more about that later) and a story in search of a point.
Toward the end, I found myself getting pulled in, and, then, just like that, what with the silly heart-transplant, it lost me again - clearly, it tried to capture the mystery, if you will, of a robot giving its life for the human - we've seen it before in the series, but in this episode, it was only schlock ...
Visually, the film was filled with bits and pieces from Hollywood's best - the motorcycle jump from Steve MeQueen's "The Great Escape" - some "Road Warrior"- "Mad Max" images - Sauron's Orc factories from "Lord of the Rings" - but it felt like a bad pastiche ... nothing fit, nothing flowed, going nowhere fast.
I came to this movie with high expectations - I like Bale; he's been one of my favorites since "Empire of the Sun" - his performance in "The Dark Knight" was stunning, but here, I never once got a sense that he had his heart in it - is this an issue with the story, the director, the process? I don't know; all I know is that it didn't work.
Moon Bloodgood, the scientist, seemed more like a fifth wheel than anything else. I think she's a good actor, but here, again, nothing seemed to fit - a good idea that didn't bake long enough, like a chocolate cake taken out of the oven too soon - as it cools, it falls, and that's exactly what "Terminator Salvation" did.
With one exception - Sam Worthington as the cyborg ... his was a thoughtful performance - you could see the inner pondering: "Who am I? What am I?"
I'll give it an A for special effects - a great cyborg motorcycle and some monstrously huge fighting machines ... but without a story, without a reason, it was like watching a museum piece - interesting, but when are we going to eat?
Worth seeing?
Only on Netflix.
